Showing posts with label Corel PhotoPaint. Show all posts
Showing posts with label Corel PhotoPaint. Show all posts

October 4, 2017

Affinity - alternative to the Adobe and Corel suits?

After continuous crashes forced me to look for alternatives to the bug ridden Corel PhotoPaint I ran across Affinity Photo some time ago. While experimenting with open source GIMP, I remained on the look out for other programs to create bitmap art, mainly because GIMP has an entirely different approach and many features are still being developed. Photoshop licences used to be immensely expensive, which got even worse since Adobe switched to a horrendous subscription policy. It has definitively made me forget about using software from that company. All functionality and integration of the programs in the Adobe suit are far outweighed by their deceptively overpriced subscription scam.





Affinity has a wealth of functions that almost make it match Adobe's usability and quality and its pricing is no less than spectacular. The desktop versions of Affinity Photo (for pixel pushers) and Designer - for vector drawers - both sell for 55 Euro. The iPad versions cost just under 20 Euro! This means you buy a license and are not forced to endlessly pay for the use of Adobe's programs and work in their cloud! Affinity's pricing is a humongous financial advantage over that of the Adobe programs. I haven't yet bought the Affinity programs, but watched many tutorials on Youtube, which kindled my enthusiasm. Affinity's programs were selected Apple's editor's choice for very good reasons in 2014 and have improved their functionality ever since. Today there are Mac and Windows versions of the programs, which makes exchange of files a piece of cake.

Affinity exports to psd-files with conservation of all layer information, allowing Photoshop license holders and subscription victims to flawlessly edit them (and send them back to Affinity users if needed). To learn more about Affinity Photo's dazzling feature list, please visit this page. And here you find the Designer feature roadmap. Affinity's managers have even acknowledged it will be possible to import CorelDRAW files some time in the future. This would potentially lower the threshold for quite a few CorelDRAW users to make the switch to Affinity. I remain very curious to their software development progress. The time to ditch the established players on the market that abuse their monopoly position, is nearing rapidly. It was only a matter of time before less expensive but very usable alternatives would emerge. They have become available now and work most excellently.

Update October 6 2017:
I've tried Affinity Photo and was positively surprised by some functions. In Particular the the Pen-tool (comparable with the Path-tool in Photoshop) that actually is parametric, which means you can apply changes to it afterwards, because it actually is a vector shape inside a pixel program. In addition the Pen shape can be turned into a selection that can be blurred... The same parametric property goes for the Prefabricated Shape-tool (of which there are many available) and the Text-tool. The fully customizable Transparency-tool can also be changed afterwards. These are magnificent features for artists and designers. More over, the entire history of applied tools can be viewed and edited, which is something no other bitmap editing program allows to do. I must say I am thoroughly impressed by Serif's programming, Serif being the company that has built Affinity Photo.

I am totally convinced that Affinity Photo is going to gain a market share rapidly, once its presence / availability is going to be noticed by a growing audience. I feel I can safely recommend both the Photo and Designer programs Affinity has created. They're a breath of fresh air in a market that looked like it was being choked by Adobe and Corel. The open source programs GIMP and Inkscape are going to have to step up their development pace if they intend to keep up with Affinity, especially since the company has put a more than friendly price tag to their programs and made them work on Windows, Mac and iPad platforms. Affinity has the potential to change the landscape of graphic design, which is a huge compliment.

Update February 21 2023:
Somewhere in November 2022 Affinity released its 2.0 version of its suit after quite a long time of not upgrading anything significant function wise. Although even after such an extended period of basically not noticeably upgrading the tools of its suit, there were problems mainly by installing the programs because Serif went with the Microsoft store installation method that I described in an other post. However since the 2.0.4 upgrade everything seems to work properly. May functions were added, while existing ones were improved. There still are functions missing - like the blend  and array option for instance - that its competition (e.a. Adobe Illustrator and Photoshop) included in their programs, but those are minor things that affect productivity. In addition it has other functions, like the magnificent blur option and effect tools, that by far outperforms those of the Adobe programs, so in the field of functional versatility of its programs things are pretty much balanced between the two. Best of all the Affinity programs do not cost an arm and a leg and are not offered through a subscription model, which is nothing less than plundering users in my and many other peoples' humble opinion. Especially for new users in the graphic market that do not have a six figure bank account and a huge number of legacy files, that could be needing updates or alterations long after the original was created, the Affinity suit is the perfect solution. Give their trial programs a try and you'll find out why I wrote this update.








September 4, 2017

Fiddling with GIMP, dumping Corel PhotoPaint

As I indicated in the previous blog entry I got fed up with the Corel PhotoPaint bug of crashing every time when attempting to export images as .png-files, I began practising with GIMP. The latter is an open source image editor which is completely free. Png files are important because they are lossless files, which means they do no lose quality after each time they are opened, like jpg. It is possible to define the resolution and colour profile - these are necessary functions for artists who intend to have their work printed.

I start this blog entry where I left off while creating the Mark Twain portrait project. I resized it to 40 x 40 cm and changed the resolution from 72 dpi to 300 dpi. This required some work on the details since it basically made the image 20 times bigger - 5 times because of the rescaling and 4 times because of the increased resolution. GIMP had no problem whatsoever exporting the image native format into png.

I am still getting used to the program's interface and functions, but I feel I'm getting there. The main thing I appreciate is that the program is stable and actually does the export job very well. GIMP took its time (approximately one minute) to convert the native format (xcf) to png. So far the file size is 8.74 MB. I resized the file for the blog to 888 x 888 pixels, resulting in a 547 KB file size. I work on a computer with an i7 CPU and 16 GB RAM memory. The graphic card is an NVIDIA GTX 750Ti.

I had to create custom brushes to render the skin pores texture, which works quite well once I got the hang of it. I created animated custom brushes, because emulating the skin requires an organic texture. GIMP allows to create very complex animated brushes, but I discovered that an animated brush based on three different layers will do the job. The skin pore texture is made with a transparent background and three layers with different dot patterns that rotate randomly when drawing. The spacing (space between rotations) is kept at a default setting of 20.

I placed the date and time in the captions below the images of different stages. The oldest will be at the bottom, the newest on top.

The final stage was made in Affinity Photo that I purchased a while ago after dumping Corel and Adobe - the first for being buggy, the latter for being hugely overpriced. The Affinity products, Designer for vector drawing and Photo for bitmap creation and editing, are very competent replacements for the leaders in the graphic market, available at a very low price (50 Euro each). Its functionality isn't yet on par with that of Corel and Adobe, but they are closing in rapidly and have some advantages over their competition that make them shine.




Added hair detail and colour filter layer Dec 2018





Sep 05 2017 17:25




Sep 04 2017 22:30







August 9, 2017

Digital portrait of NS Captain World

I fiddled around with Gimp recently and although I think it is a great (free!) program, it lacks the finesse of Corel PhotoPaint. That isn't surprising, since Gimp is built by volunteers who have regular day-jobs, while PhotoPaint is created by an army of professional programmers. What I miss most in Gimp are the on-canvas-controls that PhotoPaint abundantly offers. Such functionality significantly increases the working pace. Also the tools like the brushes in PhotoPaint are definable with greater accuracy, which is quite important when making portraits.

Perhaps because I'm used to working with it, I find PhotoPaint's user interface more logical while less need to dig into menus is necessary to find the desired tool. But I guess the Gimp programming team will at some time in the future catch up more or less, because there will be a decreasing amount of functions to improve in the process of taking a program to the perfect state, which allows trailing competition to catch up with the established players in the image manipulation realm.

The subject of this portrait is the captain Henk Kuipers of No Surrender MC, a motor club of a different kind in The Netherlands. Of course the mainstream media that is controlled by the ruling powers, disapproves of such clubs and does everything within its might to discredit NS, whether allegations are true or not.

The crux of the matter is that ruling class does not like opposition that is well organized and in disagreement with the policies imposed by them, like donating heaps of tax payer money to the unelected EU, destruction of health care and care for the elderly citizens, while implementing hugely burdening tax rules and constricting the educational system. Also the removal of legal restrictions for corporations and increase of limitations of citizen freedom and privacy are opposed by the new political party, named Rechtdoor, which in English translates to: Straight Ahead.

NS was even more viciously targeted by mainstream press when its captain's plan to enter the political arena were revealed. The valid, humane points in the program of newly established party would obstruct the Dutch government aim to impose austerity on its citizens while filling up the deep pockets of the already fortunate. Although the captain specifically stated that NS and his political ambitions would be kept strictly separated, the press wilfully ignored it and started its usual smearing campaign in an effort to prevent him from entering the political stage.

I haven't yet finished the Mark Twain portrait yet, but I may redo it in PhotoPaint some time in future. Like in all posts, the oldest stage is at the bottom and the most recent on top. Desktop computer users may want to click on one of the image to enter Blogger's Lightbox, which allows to swiftly scroll through the various stages in order to see the progress.

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Update September 2 2017
All of a sudden Corel PhotoPaint continuously crashes when attempting to export .png-files. Regardless of the size of the file. This is a basic function of photo-editing software and therefore very annoying. It pretty much renders the program unusable. I currently am in the process of switching to GIMP which is an open source program that actually is capable of performing this job properly. It is somewhat of a learning curve since the approach of the program is different, even tough there are many similarities where functionality is concerned.


After visiting a number of forums I noticed users have encountered this problem since at least version X5 of PhotoPaint. If Corel aims to compete with industry standard programs such as Photoshop it needs to fix this basic functionality or accept that it will not catch up with them (or that it may face even worse consequences). Personally, I'm done with waiting for this fix to take place and am watching GIMP tutorials in order to make the switch to a program that actually works properly.


Update October 10 2018
Between the previous update and this one I encountered Affinity Photo - bitmap editor - and Affinity Designer - vector drawing program. These programs, created by Serif, never once crashed and were equipped with more than enough functions to create the project. I continued to work on the portrait in Affinity Photo and after that did the tattoos in Affinity Designer. So this portrait actually is a hybrid of bitmap and vector.

Meanwhile also Henk Kuipers was illegally incarcerated by the corrupt government and is jailed until this day without a single legal argument. This is how low the Dutch justice system has sunk. It means that people who haven't broken any law can be thrown in jail without a trial anyway. This is a blantant violation of the Universal UN Human Rights Declaration which makes the International Justice Court in The Hague an evil joke. Democracy in The Netherlands has been brutally assassinated by the the Dutch politicians. One time soon the people won't accept this any longer and drag crooked politicians, judges, lawyers, police officials, banksters and corporate leaders into the streets to obtain the internationally approved type of justice themselves that the utterly corrupt Dutch authorities have illegally been denying them.





















An other color test




Color test
































July 22, 2017

Willie Nelson - digital portrait

I am frustrated about Corel PhotoPain(t)'s inability to export to png; the program continues to crash. Re-installation did not resolve the problem. Downloaded a trial version of Affinity Photo. I will explain its functions once I have become more experienced in creating digital portraits in this program. Until now I am mostly experimenting. I selected Willie Nelson, because he has an interesting head and a matching personality. I don't like smooth faces; they're no challenge to paint. I always try to put an emphasis on the main features of the subject's face, which leads to differences from the reference material, without losing the person's likeness. Typical facial features are subtly exaggerated.

Affinity Photo's UI is easy to get familiar with for those working with Corel PhotoPain(t) and Adobe Photoshop. Many shortcuts are linked to the same function. I must say I'm pleasantly surprised by AP. After getting annoyed with Corel and dumping Photoshop I tried GIMP, which is a really good program with a weird interface. AP's interface on the other hand, doesn't only offer similarity to Corel's and Adobe's photo-editors, it also adds functionality that allows to do the same with less clicks. Quite promising, considering the program hasn't been around that long.

Tip for desktop computer users: click on one of the images, which will lead you to the Blogger Lightbox. Use the mouse scroll wheel to switch between the various stages, so that you can see the differences between them. As usual, the oldest stage images are at the bottom and newest one on top.



















Intermediate color test 01
































July 3, 2017

Al Pacino


This is the sequence of the portrait containing date and time of each shot. Oldest at the bottom, newest on top. Tools: Corel PhotoPaint & Huion H610PRO graphic tablet. Most detailing done with mouse. I will discusss into detail the techniques used to create this portrait in an other blog entry. Perhaps I must try Corel Painter one day as well.

There is something interesting about Pacino's face. As you may know the right side of the body - including the face - is controlled by the left brain and vice versa. If you vertically cover one half of his face you see two totally different expressions and even tissue texture. The left side of the face, controlled by the left brain hemisphere, is calm and shows relatively smooth skin tissue (relatively low muscle tension = relaxed), while the left side of his face reflects a very investigative gaze and displays more muscular tension, suggesting higher tenseness.

To see the difference between stages, click on the top image and you'll jump to the Blogger Lightbox. Then use the scroll wheel of the mouse to quickly browse through the sequential stage images.



AP July 18 2017 13:07 - head is completed






AP July 17 2017 22:05 - Texture detailing & ears






AP July 17 2017 12:33 - detailing texture left cheek






AP July 16 2017 20:30 - colored version






AP July 16 2017 20:30. Did some more detailing on the base layer.






AP 4x July 15 2017 15:11 - color tests





AP July 15 2017 12:02 - Further detailing textures





AP July 15 2017 00:49 - texturing upper cheeks





AP July 14 2017 03:13 - Updated face textures





AP July 12 2017 17:11 - Forehead texture & color test





AP July 12 2017 01:33 - color test





AP July 11 2017 14:20






AP July 10 2017 23:17






AP July 10 2017 (after computer crashed) 14:07






AP July 07 2017 23:00 






AP July 07 2017 19:43 







AP July 07 2017 17:10 







AP July 06 2017 13:47 






AP July 05 2017 19:54   






AP July 04 2017 15:30






AP July 04 2017 11:27





AP July 04 2017 00:21






AP July 03 2017 17:00




AP July 03 2017 13:30




AP July 02 2017 11:40




AP July 03 2017 09:00