April 22, 2013

Digital / analog

Lately, out of necessity, I have been doing a lot of digital work. Fun as it may be to do, at some point digital creation feels as if something is lacking. Perhaps it is because humans are analog beings. So, to get my mind off the rigid canvas of digital tools, I may revert to the only real type of canvas from time to time to appease more natural aspects of life. I have a magnificent photograph for reference that I edited digitally (...) to spray with an airbrush. Many tests will be involved; I have to try new things always to prevent from becoming bored.


March 28, 2013

Lightbox suddenly disappeared from Blogger

Without any warning or offering any solution Google removed Lightbox from the blogs. Lightbox allowed to click on one photo in a post or page which enabled visitors to scroll through all photos present in that page or post. It shows Google's boundless arrogance and disrespect for their users that are only interesting to them as cash cows that bring in advertisement revenues.


Lightbox - image display

March 4, 2013

CorelDRAW vs AutoCAD


One thing I never quite understood, is that CorelDRAW is not used more often for creating technical drawings. In The Netherlands companies seem to have an unwavering preference for AutoCAD, which is at least 10 times more expensive than CorelDRAW. Most drawings do not require the complex features of AutoCAD; the drawings' simplicity can be constructed with CorelDRAW considerably faster, allowing to apply more visual options, such as line thickness, style and colour, gradient colouring of planes etc. at much lower cost. And in the end, production workers need drawings to make the parts their company needs, particularly 2D drawings, since 3D renderings often are unfit to instruct the employees to craft what they are expected to create.

In 1995 I decided to put things to the test while working for a well known Dutch air carrier company KLM by creating an educational drawing to be used for presentations in the classroom for licence training of technicians. It took me 10 hours to draw that image in CorelDRAW and when I attempted to do the same in AutoCAD, I did not even complete one third of the drawing at the 10 hour mark.


Instruction drawing created in CorelDRAW for
 the Technical Training Department of KLM airlines



Besides the slower performance AutoCAD's output was quite less visually appealing than CorelDRAW's. I am well aware of the fact that hard core drafts persons (I worked among them) consider CorelDRAW an inferior product compared to their cherished tool of choice. But still, in this type of work CorelDRAW far outperformed AutoCAD, both in speed as in visual appearance. Then my co-workers said CorelDRAW wasn't able to draw exact measurements, which is an other biased opinion, since it actually is capable of doing that (with the transform tool).

After that argument was debunked they bragged that AutoCAD allowed to work as accurate as four digits behind the decimal mark. That is of course true, and CorelDRAW is unable to match such accuracy. But then, which production employee is capable of seeing the difference between a 0.001 and a 0.0001 millimeters measure with his bear eyes? Not many I guess. For drawing purposes the drafts person only needs to indicate the actual measurement in the measure indication - the difference is invisible in the drawings made by either of the applications.

CorelDRAW has the same layer-capabilities as AutoCAD, more colouring options and more search and replace options than AutoCAD. Engineers can even replace colours throughout a project, line thicknesses or even basic shapes. It can also read, import and export DXF-format images and a lengthy list of other formats (including PDF). CorelDRAW also has a trace function with which bitmap images can be converted into vectors (not overly accurate, but it works). In addition hardware requirements can be more modest when running CorelDRAW, which is an other cost-saving advantage. Besides Corel matching or exceeding many of AutoCAD's drawing features (and trailing in just a few of those) the price of the application is much more attractive than that of AutoDesk's expensive product.

Another thing at which CorelDRAW is quite good is to draw tables that are editable as if working in Excel (visually that is). Some complex technical drawings would benefit greatly from this feature. Also generating and reading barcodes and QR codes could be useful for the production department; CorelDRAW has these features built-in.

Furthermore importing Excel sheets can be used to instantly create a Bill of Materials (BOM) and CorelDRAW is well capable of creating templates for the various drawing sizes to ensure consistency. 

Note:
When working with Windows 10 CorelDRAW version X6 is disqualified as an alternative for AutoCAD. It is horrifically slow and not fit anymore for production of technical drawings.

An other Note:
With CorelDRAW X8 Corel rehabilitated itself. It's fast again and the renewed measurement indication method works quite well. They should perhaps drop the annual issuing of a new version, some of which just aren't ready yet (= teeming with bugs). System admins would hugely appreciate a reduced issuance rate of properly working versions as well (particularly since .cdr-files of a newer version cannot be opened by older ones. AutoDesk has a similar update rate and that invariably gives admins a thorough headache too.

Update Nov 26 2017
With its 2017 version CorelDRAW is back in the game again. Many on-the-fly functions that significantly speed up production, an excellent table creation and editing functions and a built-in bar-code generator, all of which Adobe Illustrator and AutoCAD lack. It also converts vector objects into bitmaps easily and fast after which many bitmap editing functions are available inside CorelDRAW, which doesn't require users to leave the program to edit bitmaps in Corel PhotoPaint or Photoshop. Great functionality that other programs simply do not have. On the other hand AutoCAD has incorporated 3D functionality which would be a great plus if it had not been for its insane price strategy.

Given the amount of views of this blog entry, I think I can safely conclude that I'm not the only one considering the possibility to use CorelDRAW (for certain tasks) for technical drawings. For companies that are not into the production of complex high tech products CorelDRAW may be an interesting and much cheaper alternative to AutoCAD. Should the nature of such companies' products over time change towards an increased complexity, CorelDRAW is capable of exporting the DXF-file format which can be opened in AutoCAD. In some cases it may be useful to make use of CorelDRAW's function to generate and read QR- and barcodes, that the program offers. The Adobe suit does not have such a function.

Conclusion
An alternative for CorelDRAW would be FreeCAD, but that program is much more difficult for the designers of a company to learn than CorelDRAW, even if it has the advantage of rendering 3D views of a product to check if there are design flaws, like unwanted intersections and flawed complex routing of intricate parts.

However, FreeCAD's main feature is to also enable designers to make excellent 2D drawings, but as I wrote, FreeCAD has a steep learning curve, to which not all designers can adapt without great time and effort, while CorelDRAW is far less difficult to learn and is capable of enabling a much quicker (and colourful) design process. So theoretically, CorelDRAW could also be used as an additional program to complex and expensive AutoCAD to draw the less complicated parts of a machine or system. CorelDRAW can export and import the .dwg format, making it compatible with AutoCAD to a large extend.

Postscript
In the past years CorelDRAW has lost its previously solid position in the graphic and design markets. The program is still used relatively in the specific production-heavy industries like sign-making, vinyl cutting, laser engraving, vehicle wraps, and commercial printing workflows, in Europe, the US and in India, South-Asia, Latin America and some parts of Africa as well, but it seems to be experiencing some sort of near death process in the past years. Which is a pity; I used to create and edit in CorelDraw and PhotoPaint quite a lot before the turn of the century, but other programs like Affinity, that later was acquired by Canva, added a lot more functions, that made work easier. Affinity was cheap and Canva is free (for the time being anyway), but they do not have the measurement indication options that CorelDRAW offers, which is crucial for industrial production use.

In my spare time I continued to use CorelDRAW, even when I was forced to use Adobe Illustrator and Photoshop for my job for about a decade, because it has several really useful shortcuts, that could be used on the fly, that the ridiculously expensive Adobe products did not have in those days. I must say that I regretted to have to abandon the Corel products, because they served me well in those days, but when development slows down, it is imperative to look for options in programs that keep advancing in order to create more complex graphics, such as technical drawings, realistic vector portraits, logos and cartoons.



February 20, 2013

3D practicing


Working hard to acquire C4D (Cinema 4D) modeling skills. In a few weeks time I am ready to make something that resembles an airplane.



Modeling practice in Cinema 4D - Airplane

January 27, 2013

On-line interactive book


I am currently in the process of creating and interactive on-line book that contains some of my poetry (or attempts at poetry if you will). You can scroll through the pages by dragging the page corners like in a real book or by clicking on them. Some poems cover two pages. I placed a small red triangle after the first part of the poem. If you click on that you will go to the part on the next page. It is more of an indication that you have not yet reached the end of the poem, but it is also click-able.


January 25, 2013

The horror of using Office files in DTP


When using Microsoft Word documents and Excel-files to compose a book in InDesign one inevitably encounters the lack of logic and structure Microsoft and its users included in their products. First, the new type of Office interface with the ribbon is horrific to work with. Functions are buried deep underneath a shipload of illogically designed icons, while the documents that are compiled lack, whatever is required to build a sensible parametric structure.

January 21, 2013

Adobe InDesign, Scribus, LyX, VivaDesigner, Quark Xpress, Affinity Publisher


Recently I have been (re-)learning InDesign again. I have an old CS3 version, but now tried the new CS6. The program is impressive in any respect. The structure and logic are beyond that of most other programs. Perhaps only a number of 3D applications are able to match it. A lot of digging in the menus is required to make full use of it, but once that is done the program allows to produce the most complex documents for any purpose imaginable: print, web, animations etc. there is very little the is not capable of.



InDesign screendump

January 9, 2013

Reconsidering course methods


After considering many things we have decided to go about airbrush classes differently. Different than what is commonly done. There is a strong dislike of the commercialized approach. Commerce and truly creative skill are rarely good companions. One always violates the other to some extent. And since humans are analog beings we aim to focus on that - on the creative side. It still requires skill, but it should not serve commercial means in our view.

January 5, 2013

Brainstorming about the Perfect Airbrush


A few things bother me in even the most advanced airbrushes. Improvements can be made in the handling and maintenance department. For the time being I thought of the following:
  • Trigger control should allow more accurate needle movement
  • Triggers should be placed closer to the needle tip
  • Paint containers can be separate from the main housing (connected with a paint supply hose)
  • Assembly and dis-assembly should be made easier
  • Parts should be less vulnerable and should be constructed in a way that allows to mount and dis-mount them without the use of tools
  • Airbrushes should accept various needle / nozzle sizes
  • Airbrushes should not leak paint during needle cleaning
  • Paint cups should not obstruct the view on the artwork


The perfect airbrush