November 9, 2020

Vin Diesel vector portrait drawn in Affinity Designer

 

This is a work in progress as of November 10 2020 that I began to create in November 9. I'm in the process of drawing a vector portrait of Vin Diesel, the ultimate cool guy in movies, probably because he's cool in real life as well. It is in the process of being created in Affinity Designer (because it's not finished yet as of November 27 2020), aiming to use as little as possible objects (curves and shapes) as possible in this complex work. Purpose for the time being is to create a graphical image that will be used in a T-shirt design. Like the previous portraits I posted in this blog, I may at some point continue to work on the drawing in the future to make it more realistic by adding textures and more detail (by adding custom made vector brushes). For T-shirt design adding too much detail basically is a waste of time. Check out my vector portraits in my webstite and in this blog. The T-shirt designs I submitted to Redbubble. Stay tuned to see updates leading towards the final product. Oldest stage at the bottom, most recent on top.


A few hints

Many shapes are made of curves - (open ended) lines drawn with the pen tool - to which I added various thicknesses, Gaussian blurs, more or less complex gradients, also for strokes, and gradient transparencies. I also applied multi-level clipping (i.e. object in object in object etc.) of objects which allows to go beyond the the complexity of standard gradient fills. Also HSL hue shifts and Brightness & Contrast effects were applied to them. For more complex shapes I drew the closed line objects and applied the same effects to them as mentioned before. In using these techniques the number of objects can be reduced and all that can be done in pixels that can be done in vectors too. In addition, contrary to bitmap images, vector images can be re-scaled to any size without loss of quality. 




Stage 13 






Stage 11 







Stage 10 







Stage 09 






Stage 08 






Stage 07 






Stage 06 






Stage 05 






Stage 04 






Stage 03 






Stage 02 






Stage 01 



November 3, 2020

Vector portrait of Robin Williams used in T-shirt design

 

I like Robin Williams for his smart quotes. This is a 100% vector portrait of the man not containing a single pixel. Created in Affinity Designer of course. Below is the progres sequence of this drawing; the oldest stage at the bottom, the newest one on top. No extreem detail such as pores, wrinkles and hair texture were included, because it is used in a T-shirt design. I may however add those some time in the future to make the portrait photo realistic. At the very bottom I placed the T-shirt design, based on one of his quotes. Click one of the images to go to Google's lightbox where you cn flick through the stages by turning the scroll wheel of you mouse if you are on a PC.




Stage 9




Stage 8



Stage 7



Stage 6



Stage 5



Stage 4



Stage 3



Stage 2



Stage 1




Vector portrait used in T-shirt design













November 1, 2020

Clint Eastwood in vector T-shirt design

 

This is a vector portrait of Clint Eastwood created in Affinity Designer. 100% vector, zero pixels. It is a graphical portrait, i.e. it shows his face basic features, without too much details, such as pores, wrinkles and hair texture etc. I may add them some time in future, but for now this is good enough for its current purpose - a T-shirt design, that is available in Redbubble. Below you see the 6 stage (newest on top, oldest at the bottom). Below that you see the vector wireframe view and at the very bottom the T-shirt design image. Actual size of the portrait is 6000 pixels square. Click one of the images to scroll through the stages with your mouse wheel in Google's lightbox (at least you can do this when watching them on a PC).




Stage 6 






Stage 5 





Stage 4 






Stage 3 




Stage 2 




Stage 1 






Vector wireframe view (of stage 6)







Used in T-shirt design 

October 24, 2020

I'm not strange, I'm just not normal - Salvador Dali

 

I currently am in the process of setting up a T-shirt shop (called CommuniCats) at Redbubble. My most recent work (October 24 2020) is in this blog entry. As usual the progress sequence of this vector drawing / portrait is shown. Of course created in Affinity Designer. I chose to make a graphical portrait and omitted the texture details, such as pores and wrinkles or hair strands, that would make it more realistic, because this simply isn't necessary for a T-shirt design. In addition the version 1.9.0.815 with which this image was created had a problem with the vector brushes, but hey, this is a Beta version; it will soon be resolved as Serif is accustomed to do. Below is the final product:







Update Febuary 10 2021

Did some more work on the skin texture, using more custom-made intricate vector brushes. In the Affinity forum someone said creating realistic pores and wrinkles could not be done without spending a huge amount of time drawing and tweaking. I think however the editing time can be reduced by creating special vector brushes, while keeping the possibility to rescale the image to any desired size without loss of quality. When Affinity decides to include the feather function in Designer, things will even get better. Then I could create for instance a skin texture intensive portrait like that of Willie Nelson in approximately the same time as it took me to paint it in pixels. Compare this to mesh vector portraits that often require several months to draw, while editing them afterward is a pain. See the image below and look at them in Google's lightbox by clicking on the image to see the improvements. In the lightbox you can flick though the images by using the mouse's scroll wheel and visually compare the various stages.








Update Febuary 6 2021

More skin texture added (image below). It is what I often do; create a vector drawing up to some point, leave it for months (in this case unedited since October 2020) and add more detail, that I failed to see earlier. I intended to have this image printed on aluminium with clear lacker layers on top before Corona to take to fairs and art exhibitions, but life has somewhat changed since then. The drawing could still use some tweaks, I'm sure, but I'll get around to doing that in a few months from now probably.







Below this paragraph you see yet an other update drawn a few months after I created the previous stage, created in version 1.9.0.932 of Affinity Designer. I added skin texture with custom-made vector brushes and worked on some accents to make the portrait more radiant.




The final portrait on which the design is based, without the background and text, looks like the image below. Those of you familiar with the way Dali looked, will notice that I combined a portrait shot at a certain age with that of one in his younger days, more in particular his hair style to give the design a unique appearance.




The previous stages look like the images below; the oldest one at the bottom and the newest one on top. At the very bottom you see a vector wireframe view of the latest stage of the portrait. To swiftly flick through the stages, click on one of them - which will show them in Google's Lightbox - and turn the scroll wheel of your mouse in order to see the various stage.































September 27, 2020

Vecor drawing of tiger

 

I was drawing a different artwork in which I decided to add this tiger. While creating the big cat I thought it might be a nice piece by itself. It is all vector, zero pixels, drawn in Affinity Designer. So far (Sept 27 2020) the base has been drawn. I will probably add the tiger's fur later, using my Huion tablet. Oldest stage at the bottom, newest on top. A good design takes time, including the time to distance oneself from the creation to apply better contemplated and less biased changes / improvements at a later time. As far as I'm concerned anyway.

The most recent stand alone tiger, does not fit the sequence chronologically, but that was because I edited the embedded tiger in the poster image and later created a new file of the embedded tiger. Being an artist sometimes can be complex and confusing. But that probably goes for countless other people as well. Most of whom think they're at the top of the food chain, which isn't always a correct interpretation. A view for instance, that will certainly be discarded when confronted with a hungry tiger. It is an inexorable fate determined by nature; carnivores are predators that must kill to live. Humans excepted, because they kill whenever they can invent a reason to kill. Such is the nature of man. This predatory propensity brought tigers to the brink of extinction. 





Stage 7 experiment 3 - Oct 01 2020 - 00:42 hrs
 




Stageless T-shirt design  




Stage 5 experiment 1 - Oct 01 2020 - 00:42 hrs
 



Stage 3 - Sept 27 2020 - 10:00 hrs


Stage 2 - Sept 26 2020 - 21:00 hrs


Stage 1 - Sept 26 2020 - 10:00 hrs




September 10, 2020

Cartoonish vector T-shirt design

 

While creating a collection of T-shirt designs, I sort of accidentally started a creating a cartoonish vector design that I never intended to draw. The program I used is of course Affinity Designer. During the process of progressing I began adding more detail, which can easily become an almost never ending treat that will only be limited by the amount of space that is available. I clipped the square drawing in a circle since this is the trademark signature for my T-shirt designs that allows me to a circular text around the image.














The top image can be viewed in Google's Lightbox by clicking on it when you're on a PC or Mac (this does not work on tablets and phones) and the image opened there can be viewed in a new tab by right clicking on it to see it's original size, which is smaller than the file that will be used to the T-shirt print, that results in making more detail visible. Click on the image again (with the magnifying glass containing the plus symbol) to view the image actual size.