September 11, 2015

'Tribe gathering' - work in progress

An other digital work. Huion 610 Pro tablet + Corel PhotoPaint X6. Years later I continued editing in Affinity Photo. Newest update on top. Inspired by a fabulous painting of the great Howard Terpning. The original painting is bigger than images placed on this page, because I found out only after drawing the pixel image that I painted a mere crop of the painting. I also added rifles, teepees, horses and background to this pixel work. 




This is what the painting would look
like when printed and put in a frame



After a long time edited the painting.
Time allowed me to spot mistakes
that I didn't see while in the process
of painting it the first time





















































August 30, 2015

Lakota warrior 'Kills First' on Huion tablet

After creating trial cartoons and impressionistic portraits on the Huion 610 Pro Drawing Tablet I thought I'd try a realistic color portrait. Reference image was a small B&W photograph of Lakota warrior 'Kills First' (...) taken by Gertrude Kasebier. The image I am working on is large enough to make giclee prints. Below you see the sequence of this portrait; the newest phase on top. At this point I am making the drawing after which I will apply detailed textures. I am thinking of making a photo-realistic version and a more impressionistic version for print. I may touch up the prints with an analog airbrush afterwards. 



























August 28, 2015

Kiowa warrior - digital painting

I picked up my Huion digital drawing tablet again. It has certain advantages over creating analog art, in particular airbrushing. If you project drawings to trace, you need to print the reference image, digital does not require this. Undoing or changing parts of the painting is easy in digital art. If your not sure if a change will work well, just save the image and experiment on the copy; if things go wrong, you can always revert to the saved image.

If hue, contrast etc. are not to your liking, you can change it any time. It is also possible to work in layers that can be turned on or off at will or given a filtered or unfiltered transparency. Working on minute detail is easy with digital tools; just zoom in to increase control. Correcting mistakes is as easy as pushing Control + Z on the keyboard and there is no 'blue shift' when covering colors with white lines or areas as is the case in analog airbrushing.

Below are some of the steps I recorded. The oldest phase is at the bottom and the newer ones about that. The drawing was based on a painting of the fabulous Howard Terpning who created an absolutely fabulous portfolio. Mr. Terpning never ceases to inspire me and his art is never matched by any photograph. He is in an elevated category of his own.







































August 23, 2015

The Sopranos Freehand Airbrush

Lately I've been submerged in digital work, DTP, webdesign etc. and had no time to airbrush. Since two days ago I decided to make time for that and submit Inspire's waterborne H2O paint to a proper test. It is the best airbrush paint I've come across so far. No clogging whatsoever and hardly any tip dry, even after the paint had been in the open paint cup of my Iwata HP-BH for a long time (a day or so).

I had an old piece of drawing paper (49 x 32 cm) laying about and started to freehand airbrush a double portrait of The Sopranos. Inspire's H2O allows to spray very consistent thin lines. I used Black Smoke for this portrait, just filled the paint cup almost to the brim with water and added three drops of paint. No reducer or other media, stirred well and began to paint. Air pressure just high enough to push the paint out.

Below you see the sequence of this portrait. Below that the latest photograph of this work in progress. It is almost done, I just need to add some texture and then it will be finished.


Sequence so far

 
Most recent phase

 
Inspire H2O is easily removed after spraying, which makes sense since the paint does not clog or leave tip dry. First run water through the gun (also blow back), then cleaner in the same way and finally water again. The needle is squeaky clean. The paint is really a charm to work with. I can honestly recommend it to artists who spray fine detail.


Aug 25 2015 - Finished.





May 10, 2015

New kid on the block: waterborne Inspire H2O

When cleaning paint after the airbrush has (visibly) run out of paint, I always pour airbrush cleaner in the gun's paint cup, suck it up and blow it back several times with a pipette. It draws paint residue (paint particles and flakes) into the pipette that I blow from the pipette into the spray-out container so that paint particles and flakes will not clog the nozzle. I do this until no more particles and flakes are visible in the pipette. After that I blow cleaner through the airbrush and also draw back and lock the needle and put my finger on the tip of the nozzle to reverse the flow of the cleaner in the airbrush in order to release stuck paint residue from the airbrush. After that I blow cleaner and finally water through the airbrush.


Spray-out


When cleaning in such a way, it becomes obvious that most paints form particles and flakes that are left in the gun after the airbrush stopped spraying paint. Createx does it, Holbein Aeroflash, Illu-Color and Vallejo Premium all leave some type of residue inside the pipette and on the inner wall of the airbrush paint cup when cleaning according to the method explained above. However, this is not the case with the relatively new waterborne Inspire H2O. The pipette and paint cup remain almost entirely clean.... The first paint I used that has this excellent property.

I also noticed that while mixing the paint before spraying, for which I also use an other pipette to thoroughly mix the paint and reducer, Inspire H2O hardly left any residue in the pipette after the mixing was done. I think that is a sign that the pigmentation is very fine and the binder and solvent are doing a great job. Spraying with Inspire confirmed my suspicion; the paint performed miraculously well in my Iwata Micron SB. Below you see a test that gives an indication of how well this paint behaves.



The measuring scale is in centimeters



To spray the text shown above I used Inspire H2O in the following ratio: Paint : Reducer = 1 : 15 setting the air pressure just high enough to drive out the paint (somewhere around 7 psi or half a bar). But what is more amazing is that after leaving the airbrush untouched for 3 hours (with the paint still in the cup) it sprayed just as well as when I first sprayed it. And it gets better: same thing after 6 hours...., as if spraying with freshly mixed paint.




Inspire H2O 'Black Smoke' and Reducer I used for the test



Another positive property of the H2O paint is that it hardly leaves any tip dry. In this respect it is on par or better than solvent-based paints. And as you can see, the testing was done with black, which traditionally is a 'difficult' color (gross pigment, clogging and tip dry in most brands). Next week I am going to buy other colors of this type of paint and continue to experiment with it. No need to say I am quite impressed by this new paint for airbrush artists.



May 9, 2015

After 6 months of not airbrushing

After not having airbrushed for over 6 months due to a lack of time, I picked up the gun to spray at the Airbrush Services Almere 12.5 year anniversary in Lelystad, The Netherlands. I prefer to spray portraits of Native Americans, because usually there is a lot of expression and texture in the images. My trusted Iwata HP-BH sprayed awful in spite of cleaning regularly. Later after I returned home I found out that the needle packing leaked, which allowed paint to reach the needle spring all the way in the back of the airbrush.



Iwata HP-BH



I continued spraying with the Micron SB that I hadn't used for a long time. A kind of re-discovery of that gun. It sprayed magnificently and allowed me to shoot the Vallejo Premium paint exactly where I wanted. I used a mixture of 1 drop of paint and 20 drops of reducer and very low air pressure (just enough to push out the paint). Vallejo Premium has an enormous covering and adherence on almost all surfaces (paper, board, metal, plastic, wood etc.) so spraying very thin (transparent) in many layers allows to correct with an eraser. If sprayed too thick it is a hell of a job to remove the paint from the surface, if not impossible.



Iwata Micron SB



A peculiarity of Vallejo Premium brown (color number: 62.018) is that after spraying a while, you start spraying a greenish hue instead of brown. I suspect the green pigment is heavier than other pigments in the mix which causes it to sink to the bottom of the paint cup after some time. Sucking up the paint in a pipette and returning it to the paint cup several times returns the paint to its intended, original color. It is a thing to keep in mind for artists who use this paint, that is of an excellent quality - comparable with Holbein Aeroflash for half the price per bottle. The paint also tends to disperse somewhat - crisp lines become less sharp after a while and evenly and smoothly sprayed areas become textured.



Vallejo Premium 62.018



Below you see a sequence of my work in progress. The images were photographed with the camera of a Samsung S4 Mini at different times in the day / night, which accounts for the difference in lighting. The portrait is sprayed on 50 x 35 cm airbrush paper. At the very bottom you see a photograph of my airbrush workplace. The portrait is attached to my lightbox.




Photo shot with better cam than that of a
Samsung S4 Mini phone in daylight -
color differences are amazing






Rushed to finish to try Inspire H2O in next portrait







Vallejo paint dispersed. Attempt to correct with different brand.






10 drops Vallejo Premium




So far I used 9 drops of Vallejo Premium





















The portrait on my homemade lightbox.